Needless to say, it’s hard to even tell what genre would be best to describe the flavors of ZEAL: there’s not enough guitar focus to quantify it as rock, it’s too experimental to be called a pop album, and it’s too production-heavy to be called chamber pop. Then, of course, there are touches of analog synth patches and vocal modulation that are reminiscent of many Humble Beast artists. Gardner doesn’t rap, but there’s still a particular flow to his lyrical delivery that seems to borrow from that scene. They’ve undergone a bit of label-hopping, dabbled in releasing a mixtape (2017’s The Beauty Between), and now they’ve returned with yet another proper full-length release: ZEAL.Īt its core, ZEAL delves deeper into the hip-hop elements of The Beauty Between there are certainly orchestral elements at play, but Chad Gardner’s production is as strong as ever. Over the course of their career, they’ve continued to meld elements of hip-hop, chamber pop, R&B, and even hints of math rock together – but such to a degree it has never the songs too obscure to listeners. Kings Kaleidoscope is surely one of the more creative and ambitious bands to find success in the Christian music sphere.
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